
Third Anniversary Special/2002
Web Sites You Should Be Reading

Never Mind the Pop-Up Ads, it's X-Entertaiment.com!
I know who reads Evil Robots, and I have a sneaking suspicion that
not many people read my articles. I also know Evil Robots core demographic:
the grown-up suburban children of the 1980's! Evil Robots does not
cater to the N'Sync loving youths, or Gen-x'ers who were in elementary
school in the 1970's. No, we are the kids who played with Staw Wars
action figures, eat Smurfberry Crunch cereal, loved ninjas, Apple
2-E's, GI Joe, and the Transformers.
But alas, we publish monthly, not daily, and we waste time with
stories about Gary Condit and city planning. We are a product of
the decade in which we grew up, but we spend little time remembering
it on this site. Part of that is because of lack of motivation,
the other reason is because someone already does it, and better
than we could.
More than any other site on the web I know of, www.x-entertainment.com
gives respect to an era with witty and well written essays about
TV commercials, shows, road trips, magical games of Candyland, and
much more. Matt, the creator, updated almost daily. (He is known
to be missing for long stretches of time, but that is because he
has a life.) With additional short articles about animals or action
figures popping up all the time, it is worth checking daily for
updates.
Matt has been writing on a very regular basis for UGO.com as well,
and you can find movie reviews and stories about movie premiers
he has attended.
Any child of the 80's cannot afford to avoid this site.
A warning about pop-up adds. You will get one or two pop-up adds
when you go to the site, but don't worry, it is not as annoying
as the Washington Post or New York Times' infernal pop-up adds,
and the site is a million times more informative. Also, the pop-up
adds allow him to keep providing us with his terrific content without
having to beg for money. So if you really like his site, go gamble
some money away. It's for a good cause.
IMPORTANT SIDE NOTE:
Speaking of money, web-based radio stations will need tons of it
soon. In 1998, the congress passed a bill which requires web-based
radio stations to pay royalties to record companies for the songs
that they play. The charge is by times played and how many people
listened to the broadcast. The Librarian of Congress is going to
decide the per song rate that these stations will be forced to pay
to stay on the web.
For streaming music stations all over the world, this is going
to be devastating. If the charge is too high, stations will disappear,
if the cost is too low, executives may get angry and do evil things
to children. I listen to a couple of stations on a regular basis.
One of the stations, dublab.com is asking listeners to give them
small donations, or Proton Grants, to help the station stay afloat.
You should give a little - through PayPal - to help keep the music
playing.
This is not like the Napster situation. While you get the music
for free, you cannot copy it because it is streaming music. If you
want to hear the music on demand, you still need to buy the CD (or
get it on Audiogalaxy.) Regardless, the recording industry, with
help from it's copious donations to their friends in Congress, passed
a regulation to make small, independent streaming music providers
pay to share the music they love.
I have nothing against artists wanting to get paid for the music
they made. But individual consumers sharing music with other potential
consumers does not appear to be a threat to me.
So before you write to congress to complain about the situation,
you should make a donation to your favorite independent streaming
music provider. Maybe they will last long enough to be around to
see music be free again.